Demonice
genius at its best.
Demonice
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lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
lysmagicsalvation:

 Gabriel Dawe’s stunning new thread art

Gabriel Dawe created Plexis no. 19, a stunning thread installation thats beautifully spread across two balconies in the atrium of a historic villa. The early 19th century neoclassic house, called Villa Olmo, was acquired in 1924 by the municipality of Como , Italy and is now open to the public only during cultural events and art exhibitions like this.
silveth:

Nan Elmoth. Elwe and Melian by ~ekukanova
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f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
f-l-e-u-r-d-e-l-y-s:

Liquid Sculptures: Powerful Waves Photographed by Pierre Carreau Seem Frozen in Time
Photographer Pierre Carreau was born in 1972 near Paris surrounded by a family of artists including a photographer, painter and sculptor, all of which would influence his creative upbringing as well as his artistic output. As a child he was always fascinated by the manifestation of waves and the diversity of color, shape, and size found in each of them. Some of his first photography projects involved work for surfing magazines and water sport equipment manufacturers.
Carreau’s work has now moved into fine art as he shoots waves with a variety of high speed cameras using various macro and wide angle lenses, capturing water shapes that appear more sculptural than liquid. These are truly some of the most remarkable wave photos I’ve ever seen and you can see many, many more over on his website. He also has a number of fine art prints available over at Clic Gallery
 on May 2, 2013 • 
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dyemelikeasunset:

Tutorial: Feet and Shoes
A little old, but hope it helps!
dyemelikeasunset:

Tutorial: Feet and Shoes
A little old, but hope it helps!
dyemelikeasunset:

Tutorial: Feet and Shoes
A little old, but hope it helps!
dyemelikeasunset:

Tutorial: Feet and Shoes
A little old, but hope it helps!
dyemelikeasunset:

Tutorial: Feet and Shoes
A little old, but hope it helps!

Gandalf? Yes…that’s what they used to call me. Gandalf the Grey. That was my name. I am Gandalf the Kawaii, now.
(via marziiporn, welcometomywonderland)
vintagegal:

The Wizard of Oz (1939)
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odditiesoflife:

Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. 
Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). 
Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
odditiesoflife:

Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. 
Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). 
Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
odditiesoflife:

Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. 
Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). 
Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
odditiesoflife:

Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. 
Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). 
Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
odditiesoflife:

Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. 
Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). 
Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
odditiesoflife:

Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japan’s rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukan’s colorful depictions of Japan’s most notorious creatures inspired and copied by yokai artists for generations. 
Ushi-oni (“cow devil”) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him — and the higher you look, the taller he grows. Look up for too long and you will die, but say “mikoshita” (“I see higher”) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (“wet woman”) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victim’s hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victim’s body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing “Uwan!” (hence the name). 
Kami-kiri (“hair-cutter”) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
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Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.

Ladies and Gentlemen, Elijah Wood.